Freeman Z on WZBC's Cafe
of Shame
I
listened to Cafe of Shame and made double-enemies with a two-headed
turtle.
I hassled a rat. I invented a point of view that
says Obama is the last white president. I invented situations in
which I wouldn't want to be found dead. I drank some hardening
cider and I thought about being autistic.
I rassled a hat and went intertubing and
I learned about what it's like to be the
dandy man. |
The
Dandyman -short (1:30)
More from the
show (13:00)
More 492
Cafe
More Freeman Z |
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Diptych
Autistych:
Freeman Z's dichranial self portrait "Dip(s)tych
Autistych" is "...a deep and serious introspection into
my relationship with Asperger's" |
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Diptych
Autistych |
Cafe
of Shame enemy turtle |
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I
listen to a song about an ant on an ice cream cone in the sun, prolly
by a couple guys from my
home town.
Then, while Boston's long and deep history of FBI and
prosecutorial corruption and preparing to make posters for the
Councilor Chuck Turner rally, I stumbled on Howie Carr's web page
mentioning Christopher Lydon, whom i'd just recently met when he
came to hear Chomsky. Mister
Open Source had brought a recorder, so I
hooked him up.
I choose a slogan, figuring the Limone frame-up
too wordy. Everybody seems to agree they protected Bulger, right?
...Please speak clearly into the teleprompter. You shall adhere
strictly to the script. |
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I
took a bus to a bus station to shoot video at Chuck
Turner's support rally and press conference.
So we chat intensely about Soviet Realism,
me and this veteran that's a hard-nosed truther, about Andre the Giant,
and about what's happening to Chuck Turner, and he leaflets some bus
passengers. He says the revolution will be televised, and I ask whether
the television will be revolutionized and if so, whether before or after,
contemplating the hollywood concept of retroactive continuity as applied
to "real" fake history. We arrive at Dudley, and I meet Chuck
U (WMBR-FM) at Turner's office, and I set up a camera, and he adds his
mic to the growing stack. I mic the audience for good measure. |
I look around
and think about this other guy I know with two heads, but he isn't
there. But I found him at Harvard Film Archive when our friend Aldo
Tambellini's films were the feature.
...Then he got up, grabbed his "crotchal area" and gestured
to me. I
got all this, and in the end, HCIC is grandstanding up a hailstorm, nipples
poking through where the crazy kid had apparently ripped the shirt. |
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That
happened on the same spot as I'd "wiretapped" Officer Harer
making crazy, illegal threats to intimidate me from going aboutmy legal
business. The appeals court found that I had secretly recorded three
MBTA Officers, (even though I had only been accused of recording two.)
The judges also compared my recording equipment to "a bag of drugs." Cops
listed "a
cassette deck and microphone" in the charges as a "weapon
or controlled substance" and court house guards twice handed The
Freeman a "weapons receipt" for his cameras. Presumably,
if you handed them a sandwich, they would issue a weapon receipt.
Apparently the
Commonwealth is painfully aware that anything can be used as a weapon.
Being that "the state" is best defined as the entity that
is able to employ violence with impunity, it is in the state's interest
to hoarde weapons, and to keep them out of the hands of regular people.
Please Speak Clearly Into The CointelePrompter, and
Observe The Script |
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In a court house, they carry
weapons designed to kill. Why are cameras banned in the first place?
One might ponder whether "they" have
it on file categorically, that one had brought a weapon into a courthouse,
when one did not.
Damn,
I think, "I should have brought my police
pig costume, that cheers up Chuck Turner every time, like that
time at D1, over by City Hall, when a kid got arrested at a protest,
and Turner went to bail him. (There's a story, but no time for it
now.)
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| I followed
Chuck and a few others with my Kelty pack heavy with media gear and a fourteen-inch
violent-type action figure wearing a little piggy mask I'd made from a
rubber pig I bought at Jack's Joke Shop. That's where I got the bullet-holes
that ended up on the glass between Studio Control A and that stark, little
corner booth. |
I
stand by my camera as Chuck U handles the audio, and we wait for
Turner to emerge. I video Chuck Turner's speech, and the people,
and the posters, and the federal agents, even though I don't know
who they are, but I know they're somewhere.
After
all this, I was still upset about them mocking my two heads, so I
did something graphic to the turtle-enemy and I felt better for a
while. |
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| Copyright
2008-2012, Freeman Z |